Office Space, 20th Century Fox (1999)

Office Space, 20th Century Fox (1999)

Hiring is always a battle of good and evil. It’s trying to find the best candidate for the spot. Hiring managers anguish sometimes over which candidate to ultimately hire. It’s not a decision that we at Insomniac Games take lightly either. A lot of time, energy, conversation, training and money goes into every new hire here. And when its right- it’s like the clouds part and the sun is shining, birds are singing, and flowers are popping up. And when it’s wrong – and everyone makes a wrong choice once in a while, it can be like “The Shining” (kidding – it’s never been that scary here). But that’s a story for a different day. We’re here to talk about the initial application you submit for your dream job and what happens on our side once you hit submit when applying through an applicant tracking system. Yes, its resume and reel review time!

We recently had and opening to fill in HR. Our HR Assistant/Front Office position was vacant and we needed to find a qualified candidate. And so the recruiting process began; we went through all the questions about what would best fit our group, what skills we were ultimately looking for, and what role this particular opening would fulfill. We reviewed the job description, making sure to hit all the key responsibilities, chose assessment questions to help us assess relevant skill level and experience, and then waited. We did not have to wait long. Resumes came rolling in, in classic fashion. We saw candidates that were qualified, over qualified, under qualified and then not qualified at all. The worst offenders were guilty of what I’ll kindly refer to as application SPAM. APP SPAM is applying for a job the candidate is not really interested in or qualified for – case in point the environment artist or the game designer that applies for an HR Assistant/Front Office Administrator. WHY? Why would you apply to an HR job when what you really want is to be an artist or a designer? That has never really made sense to me and yet, it happened repeatedly throughout our most recent hiring process. I have heard hiring managers lament the strange candidates they get, and I have moved candidates from one job posting application to another when they have accidentally applied for the wrong position, but I’ve never really seen blatant random applications like this. We had animators apply, artists apply, and marketing people apply – for an entry level HR spot. Don’t get me wrong – HR IS where it’s at – but just because you want to work in games, heck, just because you want to work at INSOMNIAC GAMES, doesn’t mean you should apply to every position we have available. With a shotgun approach you’re only going to end up shooting yourself in the foot! Case in point – those people who thought – “Oh man- once they see my resume – they are TOTALLY going to see the talent here, and offer me a job regardless of what position I applied for”. Unfortunately, what actually happens is that you screwed yourself out of being an Insomniac job candidate for the next 12 months.

rejectWHAT?!?! Yup, you heard right. Why? If we reject your application, as being unqualified, we won’t review your resume for another 12 months. Think we’re taking a hard line? Perhaps we are but this is what it looks like on our side of the fence…we are going to see that you applied for HR, and art, and animation, and programming – all just hoping to get your resume seen by someone – anyone. What it shows us is that you are confused and perhaps a spammer of resumes. Did you read the posting? Did you really think that your skills were a match for the job? I’m not talking about the people who apply for a gameplay programming spot and also apply for a mobile gameplay spot. These jobs are similar and clearly have some similar skills and knowledge overlap. I’m talking radically different skills for each job. I don’t hire a plumber to work with electrical wiring in my house… even if s/he is an AMAZING plumber. Here’s what ultimately matters most: Do you have the skills to do the job? Is this the job you want to have? Did that artist really want to be in HR? Nope. Not when their objective stated – “to be a part of the Art team at Insomniac Games.”

The point is this, we want to hear from you, when our job openings match your skillset. Be a sharpshooter, not a shotgunner.

Until next time….

We were at Comic-Con last week. It was awesome. Hope you were there and we high-fived. If not, we at least have a super-cut of our panel on the style and character cutomization of Sunset Overdrive. That’s like being there. Just in a past version of it. Which, really makes you a time traveler. Which is awesome.

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Greetings everyone! Thanks to all who stopped by the chat last week for Rename-the-Bull-athon 2014!! We had a lot of fun discussion suggestions with all of you, and the team has narrowed it down to a short list of favorites:

  • Franklin
  • Esteban
  • Buster
  • Phillis
  • Rufus
  • Terry (oh the puns!)
  • Reginald/Reggie
  • Quinton/Quincy
  • Benson
  • Sir Benjamin Bullsworth
  • Bill
  • Bobert
  • Baltazar/Baltie
  • Constance
  • Felicity
  • Hyde
  • Blue

If you have an opinion on any of these, or have a last minute suggestion, tweet it to @SlowDownBull or post it in our forum thread. This Friday we will tell you which name we picked! This week on stream will mostly likely be me building a level, so you’ll get to see a lot of nitty-gritty editor process in Unity. Be sure to follow the Insomniac Twitch Channel to get notified about when we go live.

Pickup Art

Speaking of art, Dave has been doing passes on pickups for each area in the game. Our bull is collecting objects to use to beautify his art projects so they can be perfect. We’re trying out different objects in each area that would use to really spruce up a craft project (shells, buttons, bells, beads..), and changing up the sprites based on your multiplier, so it’s more easy to visualize the value of what you’re carrying around. Here’s a shot of some shells on the beach…



One interesting design challenge came up with the pickups. We originally wanted to try out actual craft objects for them with the more photoreal textures (the macaroni shells, some gemstones) but ran into some issues with them reading awkwardly. They didn’t stand out as things you could pick up, and looked like oddly placed environment objects. We decided to stick with the visual design that any interactable game element (the bull, the NPCs, the cat, the pickups) should be in the crayon style with the paper backing, and reserve the crafted materials for the environment. It helps push the two apart on the playfield to keep things clear.

So walls, ground, trees and hedges will all be crafted textures, such as our cottonball cloud wall:



But the characters and game elements will be crayon drawings on paper


Articles and Podcasts

Slow Down, Bull has shown up in a few places around the web, so check these out in case you missed them.

Indie Game Magazine interview about the project.

Spawn On Me Podcast where I talk about the project in addition to other general gaming going-ons.

Hope to see you in the stream this Friday!


We’ve seen a few reports from some of you who happened to catch a very special episode of Sunset TV that is currently playing in theatres across the United States. That’s right, Sunset TV has gone to the silver screen.


For the next few weeks at theatres in the United States in front of PG-13 and R-rated films, those of you heading to the cineplex may get to see a special episode of Sunset TV featuring host Brandon Winfrey, with special guest appearances from Creative Director Marcus Smith and Game Director Drew Murray.

The video rotates between theatres in the next couple weeks, so if it’s not in your theatre this week, it may be in a week or two. The episode plays in the very last section of pre-movie behind-the-scenes videos that play before the previews begin, so make sure to show up a little bit early with your popcorn (and Buncha Crunch, because Buncha Crunch and popcorn were made for each other).

If you caught it, let us know where and what you thought of the special episode! We’ll get to post it online for you all to view after its finished its run in theatres!

We had an awesome time last week seeing many of you at San Diego Comic-Con. Whether we played Chaos Squad with you on the showfloor or in the Xbox Lounge, revealed brand-new content to you at our SDCC Panel, or caught you in line to buy Mondo’s Sunset Overdrive poster (their first-ever videogame print), it was fantastic to hear about how excited you are for the game.


If you missed our panel, and the coverage of it on Polygon, we focused a lot on Character Customization at San Diego Comic-Con. Polygon announced a contest where you can design an outfit for the game that we will make after we ship to be in post-launch DLC! The prize is a trip to Insomniac for a one-day apprenticeship with us. Check it out and submit your entry here.

If you need some inspiration, Polygon also interviewed Lead Character Artist Gavin Goulden (who we interviewed on this blog last week!) about the customization in the game. You can read that piece here.

And finally we released a BRAND NEW video showing off tons of new customization. Check out some of our favorite customization pieces from the game and see LOTS of new gameplay footage.

That’s all for now, it was great to see you at Comic-Con this week. And be sure to stay tuned to Sunset TV for some footage!

Whose lovely voice will bring your Sunset Overdrive hero to life? Find out in this week’s Sunset TV! Plus, see the prettiness of our collaboration with Mondo and check out some fan-art sent in by YOU! Well, maybe not you specifically. But, you know what I mean. If you don’t – just send us your own-fan art and then maybe future episode descriptions will apply specifically to you. Sound good? Good. Love ya.

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Greetings all! You may recall in our art stream last week that Dave was working on the concepts for the cat character/powerup. For those that didn’t see, the cat is a character that you can pick up and carry around, and she will jump onto NPCs and knock them out of the way for you. But, like most cats, she doesn’t like to be carried for too long. I wanted to share the finished results with you:


I used the concepts to swap out my temp designer art for the new cat (and put in a very temp tail animation), you can check it out in action here:

As for other updates, things are chugging along. Lillian is working on game flow connectivity, basically making sure all the pieces are hooked up for all the menus and level transitions and whatnot. I’m working on levels, tuning mechanics, thinking about balance, and figuring out cuts. On the sound front, every day we get a new batch of sounds from Alex. Stop by the stream Friday and I’ll be sure to show them off!.

This week’s stream will be a little different, as I will be going through the evolution of the Construct 2 prototype to show how the design changed over time. We’ll also be needing your help this Friday, because we are going to name the bull once and for all, and we want YOUR input! Now that you’ve gotten to know a little more about the project and our bull, we want your suggestions and to take part in the discussion. So join us on Friday at 2pm PST on the Insomniac Twitch Channel! If you follow the channel you will get a notification when we go live. See you then :D

- Lisa (@Wertle)

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As we continue towards this Fall, we wanted to spotlight various members of the Sunset Overdrive team with some questions you hopefully haven’t seen answered elsewhere. Get to know the Sunset Overdrive team. This week we talk to Lead Character Artist Gavin Goulden.

gavingHow has your past work experience influenced your work on Sunset Overdrive?

I’ve been given a lot of great opportunities in my career and try to apply lessons that I have learned from those past experiences to my current situation.  In the past, I was the Lead Character Artist on Bioshock Infinite, this role prepared me for better team management, finishing a giant project as a lead, creating modular character systems, really learning about smarter design choices, and let me play a bigger role in the art direction of enemy characters, fashion sense, and overall consistency throughout the game.  Before that, I played a big part in the character customization system for Dead Rising 2, which obviously I am still carrying with me today.  I am a huge character customization nerd, it’s a thing I’ve always been interested in from a professional standpoint and as a gamer, I like dressing up my in game character as much as I like building the system for how to do it.  I think that job really taught me a lot in how to build a working clothing system, and  the expectations of variety in such an open world game.  Plus, in general, my personal artistic “flavor” matches pretty closely to what the creative and art directors like, and wanted to push for in Sunset Overdrive, which makes it a dream project in many ways for me.

How would you describe the character’s style in Sunset Overdrive?

It’s the end of the world, and you can do whatever you want.  The laws don’t apply to you anymore, the rules you had to follow are gone, and you can be who you want to be.  You really have a new lease on life and have gone from a nobody in a dead end job to the protagonist of a video game.  This gives us a lot of room to play with, and justify, fashion sense.  We’ve grabbed a bunch of different references (anime, Tank Girl, Gorillaz, Iggy Pop, etc.) and have tried to tailor outfits that would loosely fit these archetypes that were once popular, and allow the players to mix and match.  We also have many different costume elements that are just plain fun to have, wouldn’t make sense to be wearing walking down the streets of LA (well…it depends where you go, I guess) that mix well with the palette of normal fashion options.  So, you can easily have a track jacket, fur vest, pair of jeans, cowboy boots, and a WW2 pilots helmet – they all mix and play well together.

How many different customization combination option do you gather are in Sunset Overdrive?

Well, I could look at my Excel sheet, do some quick math, and give you an exact answer – but – I’m just going to say the amount of possible combinations is easily in the thousands or more.  We wanted to take the element of choice in a  different direction with Sunset Overdrive.  Rather than just slapping color changes onto an asset, we wanted to feel like you were opening your closet and picking out your favorite shirt.  Each option is hand crafter and given purpose, and are specific.  Though, that being said, there are many, MANY different pieces to pick and choose from to take you anywhere on the scale from boring business man to a super hero from space.


About how long does it take you to make a character from scratch?

Starting from scratch, most character artists are looking at about 2 – 3 weeks of work, give or take some time depending on how difficult the character is.  This breaks down to about a few days of creating a base mesh, a week of sculpting, a few days of creating a low poly model and unwrapping, then creating textures.  Once the model is finished, we hand it over to our rigging team and get the character moving in game.  If there are any obvious issues we missed during it’s creation, the model gets kicked back and we do any necessary fixes.  Generally, we are in constant communication with the department before and after us, though, to minimize bouncing models back and forth.  Luckily, after a while you have a system in place where you can grab different elements of a model and reuse it in your new character.  So, for example, there’s no point in recreating cargo shorts if you already have cargo pants.  Not only does this save a ton of time during production, but it also helps keep our look and style consistent throughout the game, since many things will come from the same root.

What is your philosophy before creating a new vanity item?

Obviously, the first question we need to ask is “Will It Work”?  New pieces need to fit in the system that we have set up before we can really dive into it.  But that doesn’t sound fun.  We need to always be player facing and questioning if this new piece of vanity will add to the experience of players, and that the new article of clothing will add to the enjoyment of the game.  Rather than trying to create every possible type of shirt, we want to hit with heavier punches, and leave each item feeling totally different than the last.  Looking at the vanity items we have as a whole, we need to ask “Would this be fun to wear?”

Can it be difficult to generate new ideas? How do you get over that?

Thankfully, I have a whole team of people that have great ideas.  Jacinda (Chew, Art Director) is the driving force for our high level style, we have a team of concept artists that bring a lot of different outfit styles to the modelers, and my direct team are all very creative and can generate ideas for items that we need.  Mostly, that takes care of a lot of the pressure, and it’s not hard to ask those around you “How can I make this better?”  Left alone, though, I would always go back to our references – the main pieces that inspired our game.  There are so many possible things to gather influence from, comic books, movies, runway fashion, music videos, etc.  I am also becoming a bit a fashion nerd, not that I’m fashionable by any means, but I find myself looking at people on the street and seeing what they decided to wear that morning, how different materials give a desired effect, what works and what doesn’t, what is common and what isn’t, etc.  When it comes to thinking of a new idea for clothing, we are literally surrounded by inspiration.

What is your favorite vanity item in the game? Would you ever wear it in public?

There are so many to choose from and, as the team lead, I see everything come through and get to play with different combinations on a daily basis.  I want to break the rules and give you a top 3.  The first one, of course, is the Luchador assets we have.  Given the right combination you can become a high flying, suplex machine, running through Sunset City.  Second is our Fizzie loadout (available to players in the Day One Edition of Sunset Overdrive) where you get to dress as Fizzie stage performer from Horror Night, you get an awesome garage jacket, Fizzie themed pants and a glorious Fizzie helmet.  Finally, we have a “Wasteland” themed jacket that has you fully decked out for anything that comes your way – this piece is a big technical achievement for us as it involves so many parts giving secondary motion to the character – chains, straps, sleeping bags, backpacks, it’s basically the kitchen sink asset.

You can reskin any game with Sunset Overdrive art. What game is it?

My knee jerk reaction to any question like this is to just say Doom or Xcom because they’re my favorite games of all time.  But, I can’t imagine Doom in a brightly colored world, where you slay demons while wearing a kangaroo head cod piece.  I really like all types of games, but it’s tough because Sunset Overdrive is a very unique creature – not many things look like it, and the tone that we set, the attitude that we have, hasn’t really been done before.  Thinking about it, I would say Fable.  I’ve always really liked the game, and I think it would work well in a world like our own. Rather than chasing chickens through Albion, you would be chasing them through Sunset City.


Check out all of our Before Sunset interviews here.

We’re bringing Sunset Overdrive to International Comic-Con in San Diego with Xbox this week. We’re really excited to see those of you there, and give you one of the first-ever public opportunities to play Sunset Overdrive! We also have a panel, autograph signings, giveaways and much much more.

And for all the details on the Xbox Presence at Comic-Con, check out their event site here.

Play the Game
Sunset Overdrive is PLAYABLE on the showfloor in the Xbox booth (booth #100). Swing by while you’re on the floor to check out the game. Or if you want to see and play Sunset Overdrive as well as all of the great games coming to Xbox One, head over with your SDCC badge to the Xbox Lounge at the Manchester Grand Hyatt (1 Market Place, Seasport Ballroom, 2nd Floor) where over two dozen games will be there to check out!

We’re throwing a panel at Comic-Con on Thursday evening. Swing by to hear directly from members of the team about the game all about player customization. We’re going to show brand new footage and customizations here, as well as never-before-seen concept art. The official description is below, but you won’t want to miss it.

The Fusion of Art and Style in Sunset Overdrive
Thursday, July 24, 5:00PM – 6:00PM, Room 5AB

Join Xbox Live’s Major Nelson to get an inside look into the inspiration behind the vibrant and off-the-wall style of Sunset Overdrive, a new open-world action game coming exclusively to the Xbox One this fall. Audience members will be the first to see new Sunset Overdrive content illustrating the creative freedom the game offers players. Hear directly from Insomniac Games’s Drew Murray and Marcus Smith (Game and Creative Director, respectively) along with art directorJacinda Chew and lead character artist Gavin Goulden.

Mondo x Sunset Overdrive
Last week, we announced our collaboration with Mondo, the Austin-based gallery and art collective, to create their first-ever poster for a video game.  The screen-printed poster was created by UK-based artist Matt Taylor, and is a limited edition run being sold exclusively at SDCC. Mondo will be putting the poster on sale at some point during the convention (Booth #835). To find out when it goes on sale, follow them on Twitter at @Mondonews (helpful hint, turn on mobile notifications for Mondo during SDCC so you get texts when they tweet about something being on sale!).

We also have some copies of the print to give away as well!  If you think you’re good at Sunset Overdrive, you should be the first to play Chaos Squad in the Xbox Lounge every morning when it opens. The top scorer in each of the first few games of each day will be rewarded with a beautiful copy of the poster (but you can only win once!). Also follow @SunsetOverdrive on twitter, as well for more details on giveaways and maybe even a chance to win from home!

photo 1 (6)

Autograph Signing – Friday July 25th, 1pm-2pm, Xbox Lounge Main Stage
On Friday, we’ll also be having an autograph signing in the Xbox Lounge with Creative Director Marcus Smith, Community Lead James Stevenson, and Sunset TV Host and Community Manager Brandon Winfrey (among other Insomniacs!). Bring your Insomniac swag to get signed. We may even have some swag for folks in line to get signed if you didn’t have any! So be sure to come by the Xbox Lounge in the Manchester Grand Hyatt (1 Market Place, Seasport Ballroom, 2nd Floor).

We have new Sunset Overdrive t-shirts, some lithograph posters of the box art and some other goodies to give away as well. Generally speaking we’ll give those away at the Xbox Lounge (Manchester Grand Hyatt) at random times throughout the event to people who play the game. Want to know when? Stay tuned to @SunsetOverdrive‘s twitter for announcements about t-shirts being available at the lounge.

Oh yeah, Xbox has an awesome custom Sunset Overdrive Xbox One that will be given away as well. For details on how to play, check out the Xbox Comic Con page.


Whew. That is probably all. There’s a lot going on, and it’s our biggest presence at Comic-Con ever. We’re looking forward to seeing you there, playing the game with you at the booth and Xbox Lounge, and seeing you at our panel and screening. Be sure to follow @SunsetOverdrive on twitter for all the latest from the show as it happens!

This week on Sunset TV we showcase some new footage of Sunset City, go over its size, and cover the game’s quick select weapon feature. Plus, get some info on Sunset Overdrive at SDCC 2014, where you can play the game! If you aren’t going – that’s a bummer. I would have given you a high-five. Oh, well.

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